This started with drums and keyboards. After listening to that loop for a few days, I finally hooked up the turntable and grabbed some records. The spoken samples are from a record I've been dying to use for a long time: it's a promo record of an interview with Miriam Makeba that I picked up from the giveaway pile at KRLX. (A quick web check reveals it on eBay for $75.)
The guitar sample is a lucky needle drop — I found it after about 30 seconds of playing with The Mississippi Blues No. 2, The Delta 1929-32. (Damn, that's selling for $107. Twenty-five dollars seemed like a lot at the time...)
I'll leave the next round fairly open, John. Pick one of my source files, and use it in the cleverest way you can.
Chris says:
Jesse's opening volley certainly sets the bar high for this match. A kinda Moby-meets-Ninja Tune mashup if you will. The beat really doesn't do it for me after a few listens, especially since it's more or less static across the entire 6 minutes of the track. The vocal samples set the mood perfectly, and are straight out of anything DJ Krush might slip into a mix (doesn't help that I've been obsessively listening to "Cold Krush Cuts" recently). I'm curious to hear what Tolva does with this one; there's a large amount of great source material to work with. Knowing his (questionable) fondness for 80s and early 90s industrial and new wave, this match is definitely bound to get interesting.